Suddenly the band struck up “God Save the King.” Three commonplace enough young men, seated at a table near to her, laid down their napkins and stood up. Yes, there was something to be said for war, she felt, as she looked at their boyish faces, transfigured. Not for them Business as usual, the Capture of German Trade. Other visions those young eyes were seeing. The little imp within her brain had seized his drum again. “Follow me”—so he seemed to beat—“I teach men courage, duty, the laying down of self. I open the gates of honour. I make heroes out of dust. Isn’t it worth my price?” Sometimes they agreed it was the newspapers that made war—that fanned every trivial difference into a vital question of national honour—that, whenever there was any fear of peace, re-stoked the fires of hatred with their never-failing stories of atrocities. At other times they decided it was the capitalists, the traders, scenting profit for themselves. Some held it was the politicians, dreaming of going down to history as Richelieus or as Bismarcks. A popular theory was that cause for war was always discovered by the ruling classes whenever there seemed danger that the workers were getting out of hand. In war, you put the common people back in their place, revived in them the habits of submission and obedience. Napoleon the Little, it was argued, had started the war of 1870 with that idea. Russia had welcomed the present war as an answer to the Revolution that was threatening Czardom. Others contended it was the great munition industries, aided by the military party, the officers impatient for opportunities of advancement, the strategists eager to put their theories to the test. A few of the more philosophical shrugged their shoulders. It was the thing itself that sooner or later was bound to go off of its own accord. Half every country’s energy, half every country’s time and money was spent in piling up explosives. In every country envy and hatred of every other country was preached as a religion. They called it patriotism. Sooner or later the spark fell.!

She heard the joyous yell and the shrill laughter as she struggled wildly to force her way to him. And then for a moment there was a space and a man with bent body and clenched hands was rushing forward as if upon a football field, and there came a little sickening thud and then the crowd closed in again. “You see, dear, I began when I was young,” she explained; “and he has always seen me the same. I don’t think I could live like this.”

The conductor seemed impatient. Joan sprang upon the step and waved her hand. “It isn’t only that,” explained Joan. “I give him courage. I always did have more of that than is any use to a woman. He wants to be worthy of my belief in him. What is the harm if he does admire me—if a smile from me or a touch of the hand can urge him to fresh effort? Suppose he does love me—” Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them.